Angel's second year saw the return of Darla, the Host's introduction and many an unpleasant karaoke experience! For more highlights (and low), check out the following...

Judgement
Quick summary - Angel accidentally kills the guardian of a woman on the run from a mysterious otherwordly court called The Tribunal. In order to make amends for his mistake, he acts as her protector - and will go as far as singing Barry Manilow (very badly) to ensure that she survives...
Best quote - Cordy; (trying to make Angel feel better after his downfall) You're just a vampire like everyone else. (realises what she's just said) That didn't come out right...
Comments - The sophmore year's opener is one that hits the mark. While not without imperfections, I feel it is a much better start than that of last season's City Of. While the cliffhanger to last season's finale isn't resolved here, the brief scene involving Darla, Lindsey and Lilah is a little gem and one that makes you aware that the season ahead is gonna be a good one. The characters are picked up from where we left off - Angel is psyched that one day he might be rewarded mortality, Cordelia is much more mature and aware of the suffering going on around her, and Wesley is, well, Wesley! We are also introduced here to the flamboyant Host of Caritas, the karaoke bar, who becomes a recurring star as the season goes on - and is he fab or what?! With his first appearance, we are also served up our first surreal karaoke bout of torture - while very distressing, Angel singing 'Mandy' is very funny indeed. If you agree, make sure you don't fast forward past the end credits! The actual storyline about the Tribunal isn't all that involving but is helped along by a great guest actress and one of the best fight sequences yet on Angel - the duel that takes place in the middle of the street with Angel on horseback. Angel also ends up in the abandoned Hyperion Hotel after being chased by demons, this building being the focus of the next episode. On top of this, there's still broodiness in the form of Angel's guilt when he kills the pregnant woman's protector, the intro of Merl who appears down the line a few more times, and the return of Gunn, this being J.August Richard's first episode established as a regular. Overall, this ep's pace is relentless and what is on offer is very entertaining...
Verdict - * * * *

Are You Now Or Have You Ever Been
Quick summary - Angel returns to an empty hotel, where he used to live in the 50s. Still haunted by the same paranoia demon who was there during Angel's stay, the hotel is made the A-Team's new base of operation after Angel disposes of the demon and gains some closure in the form of a woman he abandoned...
Best quote - Cordy; (after ranting about how creepy the hotel is, when Angel abruptly declares they're moving in) A few throw pillows, what's not to love?
Comments - While it may take a few viewings to really appreciate this ep, give it time and it will grow on you as it did with me! I found it to be a bit of a bore when I first watched it but now I find it a mature and serious ep that makes me go 'WOW!'. Just when you thought you had seen all sides to Angel's personality, the writers and producers treat us to a new one. This character here is very different from both Angel and Angelus - a dark, detached, moody Angel cut off from people and society. We see him drink blood onscreen for the first time, we see him turn his back on a hotel full of people he could have saved - the behind-the-screens peeps still know how to treat us and give a fresh spin to the character and, therefore, the show. The ep is truly atmospheric, what with the compelling but spooky flashbacks and the totally creepy setting that is the hotel. The impressive score courtesy of Robert J.Kral only adds to the creep factor, as do the scenes where the paranoia demon is revealed in the flesh - what a horrifying creature! While Cordy, Wes and Gunn are pushed to the sidelines, the young actress who portrays Judy fills their place and impresses, as does Boreanaz who handles this different Angel effortlessly. The conclusion set in the present is sure to bring a tear to your eye, and wraps up an exquisite look at Angel 50s-style, with Angel deciding to call the Hyperion home from here on out...
Verdict - * * * * 1/2

First Impressions
Quick summary - While Angel is visited in his dreams by the delicious Darla, Cordy vows to protect Gunn when she has a violent vision of him in danger. Cue some friction...
Best quote - Wes; (after being attacked by Angel, who was decked out in his birthday suit) Now, about the naked thing...?
Comments - Again, this one is a grower. On first viewing, it seemed really slow and there wasn't much going on. However, after watching it a few times, the crappiness of the demon-of-the-week is made up for in the quality of dialogue, comedy and the mind-boggling Darla plot thread. Charisma Carpenter and J.August Richards are given their first real chance to work together, and they have a certain flare together in what is a bit of a love-hate relationship here. Certainly, when the ep reaches its end, the relationship is more love - and I, for one, suspected a romance was on the cards when I first watched it. However, this doesn't look set to be but all the signs point toward a friendship which we do get towards the end of the season. And both actors seem to be having a whale of a time! The comedy ingredient is worth seeing this for alone - there are sharp one-liners thrown between Cordy and Gunn, and the tickling pink helmet scenes! While not much occurs as this is more a characterisation piece than anything else, it is a fun ride but a bit on the empty side. However, the episode's saving grace (which really pushes up its final rating at least by one star) is the seductive return of Darla. The final scene, where we realise Darla is actually visiting Angel at the hotel while he sleeps, is intriguing and leaves the pathway open for some big eps and more nocturnal visits. The dream sequences are ravishing, and Julie Benz seems to be having a ball. And may she continue!
Verdict - * * * *

Untouched
Quick summary - Angel protects a young female telekinetic, who Wolfram & Hart want to employ as an assassin. When the girl gets in the way of Lindsey's project involving Darla, the 'trigger' is pulled...
Best quote - Lilah; (fairly unhappy) Shut up! Just shut up! One more excuse from you and I am going to bury you alive - next to my house so I can hear you screaming...
Comments - One of my favourites! Sitting in the direction chair is Joss Whedon, which makes for a great episode, and the script by Mere Smith is impeccable. Wolfram & Hart are back with more attitude than ever, this time Stephanie Romanov getting a meatier chunk of bitchiness and getting a chance to represent the evil that is her law firm. She excels, as does the fine guest actress who takes on the role of the abused telekinetic Bethany. The character would make a great recurring star, with her own quirk (the ability to make objects move of her own free will) intact as well as some grim history behind her. It seems like we've seen the last of her, though, which is a crying shame, not just because the performance was fab but so were the cool special effects that came as a bonus with this girl's powers. While Wesley is not involved in the second half and Gunn is again misused, this gives way for more immediately interesting stuff - not just concerning Bethany. Darla, while not in this episode a whole lot, is always somewhere in the background, the plot being stretched out thus creating an increasing anticipation and suspense. The flashback dream sequence where Angelus and Darla get randy is very effective, quite gothic and sexy but gross at the same time. Holland Manners also makes his first appearance of the season, still as threatening and smug as ever! There's nothing bad to say about this (if you're me anyway) and it certainly stands out as an early highlight.
Verdict - * * * * *

Dear Boy
Quick summary - Angel discovers that Darla is back and human, running into her while awake. As Cordelia, Wesley and Gunn prepare for a change in their boss's behaviour, Angel hunts down his ex-love and confronts her...
Best quote - Darla; (in highly dramatic, tense moment, as she presses a cross against Angel) God doesn't want you...but I still do.
Comments - What a trip! This ep, as the first major checkpoint in the season's arc, is a whirlwind - bringing back old favourites, throwing the characters into turmoil, and bringing us the first massive confrontation between Angel and the resurrected (and now human) Darla. Performances are sizzling and so is the chemistry between Boreanaz and Benz, almost as smouldering as his and SMG's but in a more sick perverted way. The big face-to-face scenes that take place underground are heated and also imply that Angel's inner demon is due for a comeback. Displaying their talents during this offering, also, are the wonderful Elisabeth Rohm and Juliet Landau, as they return to the Buffy/Angelverse. While Landau's appearance is nothing more than a cameo here, it's great to have her back and you can expect more from her as the season progresses. Elisabeth Rohm, meanwhile, gets more to work with and is as brilliant as ever as the vengeful hard cop Kate. Her conflict with her ex-friend-and-vamp-detective is resurfaced and looks set to rock the boat further than it already is. Christian Kane (and his oh so dreadful haircut) is back again, too. Meanwhile, while all the old chips off the block reintegrate into the action, the L.A. Scoobies research what could happen should Angel revert to Angelus again. Less interesting than the Darla stuff, this doesn't really work wonders and just seems like a way to give the three employees something to occupy their time with. However, Cordy does get to wear an incredibly skimpy maids outfit, so who am I to complain?! This ep is a rather exhausting experience but ultimately satisfying. But some parts are not as involving and don't fit into the story with much ease (such as the subplot concerning the guy who thinks his wife is having an affair but is told she is being abducted by aliens, which really belongs on Ally McBeal cos it's so kooky). Angel's return visit to the karaoke bar is one of the few instances where the joke isn't funny, maybe due to the fact that beating 'Mandy' was an impossible feat! However, mostly good stuff is dished out here so eat up!
Verdict - * * * *

Guise Will Be Guise
Quick summary - The Host recommends Angel see a swami he knows to get over his obsession with Darla. While the boss is out of town, Wes takes up his identity and protects a wealthy businessman's daughter...
Best quote - Wes; (after downing a glass of blood) By God, that's...nummy!
Comments - On first viewing, I absolutely LOATHED this episode, which surprised me seeing as how much I LOVE Ms.Espenson's work. However, I rewatched it and rewatched it some more and now I think it's one of the best attempts at comedy on the spinoff and also a wonderful showcase for Denisof. Alexis gets to show off his great range, and with the great characterisation courtesy of the script, gets to explore Wesley and show him off in a charming light. You'll probably never look at him the same way again - I mean, he gets the girl and everything! Speaking of, Virginia is a superb character and it's a shame she only appears a few times later on this season - she'd have made a great addition to the team if it weren't for Fred in the next season. Also, there are great turns from Boreanaz (who shows how comical he can actually be during the interesting and hugely funny swami subplot) and Charisma does a great job in the scenes she gets too. Maybe Espenson creates the magic, and her script is certainly full of zest and hilarious dialogue. She's a star, as is Wesley - long live them both. Don't be a fool and dismiss this as I nearly did cos it's a pure gem!
Verdict - * * * *

Darla
Quick summary - Darla's mental state starts to disintegrate, as the memories of what she once got up to with Angelus are resurfaced in spectacular fashion...
Best quote - Darla; (summing up the situation, when Lindsey goes to kiss her) It's not me you wanna screw. It's him...
Comments - Erm, this is a TV show right? Because this episode (along with it's counterpart, 'Fool For Love') would have me believing I was watching a brilliant multi-layered big-budget masterpiece. This is an astonishing piece of work, showcasing the best of everything that this show has to offer. The idea itself is a winner - showing the terrible foursome's past in glorious flashback format, creating a huge sense of scope and depth. And with the poetic yet action-packed script that aptly explores the characters, as well as the simply outstanding direction (check out some of these shots - film-making or what?!), this episode is just a goldmine through and through. The performances are also gorgeous - especially Benz and Boreanaz, who shine onscreen together and have a brilliant chemistry that makes the flashbacks involving and their present-day interactions just as enthralling. Also adding to the sheer dramatic brilliance of this episode is a chilling yet masterful score courtesy of Rob Kral. All in all, this is just class, pure and simple. Every scene is a little piece of gold and should satisfy all fans. One of the best episodes, if not numero one on my top five. Just watch it!
Verdict - * * * * *

The Shroud Of Rahmon
Quick summary - Angel and Gunn get into deep water when going undercover to stop a mystical shroud from getting into the wrong hands during a museum heist. Angel's demon surfaces due to the shroud's power to mess with the mind, and causes severe implications when Kate comes across the scene...
Best quote - Wesley; (on Cordy's new locks) What happened to your head?
Comments - So the Angel producers needed a break from the whole Darla/Angel thing and also needed some material to give J. August? Well, I guess this is what they came up with. While this episode is entirely watchable, it's certainly one of the worst (if not, the worst) episodes of this frankly astounding season. Heists are boring, full stop. While it's fun to see Angel losing it a little and also to see J. being given something else to do rather than fight, the other minor characters in this episode are simply annoying. The blessings that grace this episode include Elisabeth Rohm appearing as Kate, the continued 'dark' Angel thread, and good direction and layout (the opening police interrogation throws the viewer off guard, for instance). The duo of Charisma and Alexis is always funny, and (as mentioned) J. shows his ability. However, most of the script is a bit dull and puts to waste other good components. Watch it but don't expect gold dust...
Verdict - * * *

The Trial
Quick summary - Angel learns Darla has only a few months left to live, as she is dying from the same disease she had when she was first human. To save her, he attempts a series of dangerous challenges that could kill him...
Best quote - Cordy; (her verdict on Darla) I'm sorry, but after 400 years of death and destruction, it seems to me, you get voted off the island.
Comments - This is more like it. While not perfect, The Trial is entertaining and has depth - the two ingredients the series has balanced so well. Julie Benz is, once again, a star - she plays a tragic character, and we really feel sympathy for her in the end (great singing lungs too). David Boreanaz is equally impressive. He shows Angel's determination to save Darla and some of his best acting emerges as he finds out Darla will die as a mortal after undergoing the trials - when he unleashes his anger and desperation, it will leave you breathless. Doug Petrie and Tim Minear are a good partnership, and the episode has some brilliant scenes and characterisation; Angel confronting Lindsey, Lorne sending Angel off to complete his mission during Darla's karaoke session, and the brilliant succession of trials. The ultimate twist, though, is served up at the end; the great Juliet Landau enters Angel and turns Darla for the worst. The last five minutes are utterly compelling stuff and create excitement for the following instalment. However, while the end is so great, you can't help but feel that the whole episode designed just to make us feel sympathy for Darla then have her re-vamped. The flashbacks, by now, are too much (even though we do get a mention of Holtz) and Charisma and Alexis seemed bored with nothing to do. All in all, though, this is another great episode in the Darla arc. But Reunion is ever better...
Verdict - * * * *

Reunion
Quick summary - Angel faces off with the deadly duo that is the revamped Darla and her old girlfriend, Drusilla. Leaving his friends behind, he tracks the two murderous demons to Holland Manner's wine cellar where he is throwing a party for the most devious lawyers at Wolfram & Hart. Will Angel grant them mercy??
Best quote - Angel; (just before shutting the doors on the 'pretty lawyers all in a row', echoing Holland's earlier statement) And, yet, I just can't seem to care...
Comments - One of the best Angel episodes to grace the screen, Reunion brings the Darla arc, as well as the 'dark' Angel arc, to something of an exhilirating climax. Having Juliet return was inspired and it's great to have Dru back, exactly as loony as she was before. It was also brilliant to bring vampire Darla back - she's never been so threatening. The two of them together create some real tension, and this has to be the bloodiest episode of either series that there is. The two of them together make Wolfram & Hart seem like harmless bunnies - and by the end of the ep, all but two of those bunny rabbit lawyers invited to Holland Manners's party are dead. While it's deliciously wicked seeing the two girls paint the town red, it's more compelling seeing Angel go off the rails. The moment when he locks the lawyers in the wine cellar with the two demons is utterly shocking, and a major turning point for the character. And barely after we've gotten over this shock, we get a final scene where Angel fires his team. Never before has the series created so many possibilities, messed up the works so much, and provided so many great surprises. The performances are good, the dark tone has never been bettered, the fight scenes are wicked, and the stakes have never been higher. Possibly the best episode this series will ever produce...
Verdict - * * * * *

Redefinition
Quick summary - Angel goes solo on a mission to stop Darla and Dru from painting the town red. Meanwhile, Angel's fired ex-employees drown their sorrows at Caritas, while Lilah and Lindsey face their firm's judgement as the only two survivors of the wine cellar massacre...
Best quote - Wesley; (hammered, and when Gunn calls him a 'pansy ass British guy') My arse is not pansy!
Comments - It was gonna be hard to beat Reunion, but Redefinition does a damn good job at trying to match up to its predecessor's brilliance. This episode finally gives Charisma, Alexis and J. something to do. The scenes where the three get all maudlin at Caritas feature some of the funniest moments in this series ('We Are The Champions' anyone?) yet, before the episode ends, the three are forming a detective agency and have killed their first demon. Go them! Meanwhile, we have further naughty goings on with Darla and Dru (don't get used to her - this is her last ep for a stretch, unfortunately) and a brooding mission-fuelled Angel we have never seen before. The fact that we only hear him in voice-over throws the audience off, wondering what Angel has become after firing his gang. The great scene where he sets Darla and Dru on fire answers our questions somewhat - he is someone new, as Darla states (fear in her voice), 'That wasn't Angel. That wasn't Angelus. Who was that?!'. Away from these two plots, we have Lindsey and Lilah taking the flack after the wine cellar incident. The ongoing rapport between Kane and Romanov is wicked so lap it up! This is another fine episode with lots going on - so enjoy it because we enter filler-ground after this...
Verdict - * * * * 1/2

Blood Money
Quick summary - Angel's still all commando and helps a young woman in charge of a homeless teen shelter, Wolfram & Hart planning to steal large contributions raised for her place of work. Meanwhile, Angel's ex-pals plan to make it on their own...
Best quote - Anne; (when Angel asks why she was suddenly turned off by vampires) I met one... (see Lie To Me)
Comments - Following on from The Trial, Reunion and Redefinition was gonna be tricky and this ep, unsurprisingly, doesn't reach the heights of these jewels. However, it's worthy of some praise. Bringing back Julia Lee is great, as she is a fine young actress and this choice also gives the Buffy/Angel-verse a more rounded feel. While it's annoying that Cordy, Wes and Gunn are pushed to the sidelines (as they were in The Trial and Reunion) we have a couple of quite amusing scenes featuring Merl, more of the bittersweet love-hate relationship between Christian Kane and Steph Romanov, some deliciously self-mocking dialogue at the charity ball ('This thing about making your character gay...is that about ratings? Cos I don't get it...'), and more of dark Angel. Boone isn't really used to his full potential, though, and there are times when the action seems to lull a little. Just above average - and you gotta love Cordy's little dance when Gunn suggests they call the agency The Gunn Agency ('I've got a gun and my name is Gunn...').
Verdict - * * * 1/2

Happy Anniversary
Quick summary - The Host informs Angel of a lovesick physicist who is planning to hold off being dumped by his girlfriend by stopping time. Meanwhile, the three ex-employees of Angel complete their first official case...
Best quote - Virginia; (entering her boyfriend's new office with champagne and food) You must be so excited! (taking note of their depressed manner) In that really dry, suicidal way...
Comments - Happy Anniversary is another filler episode but it's quite enjoyable and one that provides some light relief after the dark and serious recent episodes. Although there are numerous big words that I don't understand even slightly, there are a lot of laughs to be had. Teaming Angel and the Host up is inspired and makes way for some cracking buddy-type scenes that also lend insight into what Angel is feeling. Andy Hallett is finally given more time onscreen and he's a joy to watch, and David B works well off him too. Meanwhile, there's more of the Cordy/Wes/Gunn dynamic. And when Virginia's thrown in, it's even better! Check out the one scene she appears in, when she visits the gang at their new office - the dialogue is so fast and sharp that you'll have a hard time keeping up with it! The scene where Wes gets to the bottom of a murder mystery (and Cordy scoffs all those appetiser things) is also a classic! While it's not as interesting in an ensemble show like Angel when unknown characters are brought in for one episode only, the plot revolving around Gene's plan to stop time is fairly gripping - enough to keep you interested anyway. Don't think too much about the storyline though because this is just a fun and, though predictable in places, zippy frolic. Rejoice in Andy Hallett's wonderful performance!
Verdict - * * * 1/2

The Thin Dead Line
Quick summary - While Angel teams up with Kate to investigate recent attacks made by renegade cops, Anne (see Blood Money) informs old pal Gunn that these members of the force have been beating up her kids, terrorising the streets. So Gunn investigates, leading to Wes being seriously wounded by a gunshot...
Best quote - Cordy; (her stern speech to Angel, who has come to visit Wesley, at the end) Too bad it takes a gunshot wound for you to give a crap! Wesley doesn't need you right now. We don't need you. You walked away - do us a favour and stay away... (and off she goes, leaving him in the hall all by his lonesome)
Comments - My first impressions when I watched this contrast quite a bit with what I think about the ep now. On first viewing, I thought it was a great filler that also addressed some issues that have been building up recently and that also made way for some good old-fashioned horror. However, while I still find it a good watch, I don't find it special at all. Kate is part of the action, which is always a good thing, and Elisabeth Rohm is as great as ever. This appearance makes way for what are supposedly her final episodes, Reprise and Epiphany. There's more of the continued conflict between Angel and his old crew. The final scene where Cordy gives her former boss an earful is just a taster, and the whole situation is addressed properly in the following two-parter (as is the third eye thing). Wes being shot is an unexpected twist and reminds us that, in this ever changing show where Doyle was cast off after only nine episodes, the people we see portrayed on screen every week are not immortal. Meanwhile, Gunn is given something decent to do and J.August Richards rises to the challenge. The issues revolving around his character (the fact that he's not seeing so much of his old friends) is seen to, and is explored more during Belonging. The evolving bond between him and Wesley is touching here. There's also some grim stuff to do with racism and thugs on the streets that brings the episode down a little -while true, the points that are made are just depressing and rather pointless, as they have not been looked at further in following episodes yet. There are some great horror shocks on offer though and the final showdown at the shelter is edge-of-your-seat homage-to-old-zombie-movies stuff accompanied by a scary score. Speaking of the shelter, Julia Lee's second guest turn is an added bonus and I, for one, hope to see more of her in the future. In an episode where there are not many laughs, we instead get brutal cops and the result is something that has many good points but is also a little on the sour side. It's not bad at all, though, and is probably the most interesting of the recent fillers. A filler thriller!
Verdict - * * * 1/2

Reprise
Quick summary - Angel attempts to get to the source of Wolfram & Hart's evil when one of the mysterious senior partners manifests itself in our world for the firm's 75-year review. However, he finds out that the 'home office' is much closer to home than hell and his discovery pushes him to the edge...
Best quote - Angel; (before seducing Darla, after his painful discovery) I just want to feel something besides the cold...
Comments - One of Season Two's gems, which has much more of a finale feel to it than the Pylea arc. All the characters have a hard time but Angel has the worst. We see him devoid of hope and unable to care about the consequences of what his actions will be - at the very end, he sleeps with Darla and wakes up in the middle of the night in agony (much like he did at the end of Surprise). Meanwhile, Virginia breaks up with Wes, a lonely Cordy is unknowingly led to what could be her death, and Kate is fired which pushes her so far that she attempts suicide. And all of the actors excel, their sympathetic performances giving this episode an adult and involving feel. The cameo from that Denver guy is a nice continuity touch, while Sam Anderson as Holland is as menacing in death as in life. Julie Benz's second to last appearance in Season Two is a pleasant surprise (cos it seemed they'd forgotten about her) and also creates some big conflict between Lindsey and Lilah. The writing, courtesy of Tim Minear, is superbly polished with the right amount of drama, suspense, excitement and a few laughs thrown in too. Direction is equally as impressive with some impressive stunts (such as Angel faling from that building) and some nice visual touches (an example being when Darla kicks Angel in the face). Overall, this is one of the (if not THE) standout episode of the second season's run. Fast-paced but with time for dramatic build-up and giving us great insight into the characters, Reprise is outstanding and passes with flying colours. Reward it with mortality! OK, so maybe don't go that far but you know what I mean...
Verdict - * * * * *

Epiphany
Quick summary - Angel wakes up beside Darla, soul still intact after having an epiphany. After saving Kate from her 'pillathon', he learns that his old crew are gonna find it hard making it through the night from the Host of Caritas, as some peed-off Skilosh (third-eyed) demons want them to pay for destroying their spawn...
Best quote - The Host; (insistent buzzing rings in the karaoke bar) Keep your pants on! (opens the door to Angel) Seems I'm a little late with that advice...
Comments - Not as flawless as Reprise but still a grrrrreat episode that has more of a comic feel to it than the drama-driven first part. We see David Boreanaz's character moving to a new place, and the actor makes you feel truly sympathetic for the vampire. It's interesting to see how Wes, Cordy and Gunn feel about Angel returning back to them, but all the performances are brilliant. The Cordy-gets-a-third-eye plot is fun and makes way for some laughs, while there are a fair share of thrilling, touching and thought-provoking moments. The revelation that Kate never invited Angel in, though he still did enter her apartment to go on to save her life, is one of those oh-my-God moments that really gets your mind a-wandering. Julie Benz puts in her final performance for this season and leaves Lindsey after her night with Angel, which throws lawyer boy into a rage which makes way for some of the most brutal violence the show has ever witnessed. Lindsey's attack on Angel just proves how complex the character is, and we see a hint of madness during his sledgehammer fun - Angel must really make him tick! Lindsey's conflict with Angel will be seen again in Dead End. The end finally reunites the gang and, while there are still many loose ends to be tied (for it seems none of the gang, especially Cordy, are completely comfortable with having Angel back yet), we get a resolution on the third eye front, while Darla leaving marks a new day for the show. And it's good to finally have good ol' Angel back after a long absence. If you like good jokes and a chance for the L.A. Scooby Gang to get more screen time, this is gonna satisfy you...
Verdict - * * * *

Disharmony
Quick summary - Harmony shows up in L.A. and Cordy, not knowing that her friend is now a vampire, invites her old pal to stay with her. Harm's secret does eventually come out and, much to the disagreement of her co-workers, she joins the gang on a mission. Meanwhile, Angel tries to patch things up with Cordy, still feeling betrayed after he fired her...
Best quote - Harmony; (when she uses the page of a centuries old book to wrap up her used gum, and Wes complains) Well it's not like I messed up a new one...
Comments - It's been a while on this show since we had an episode that just gave us a real break from all the big drama and just tried really hard to make us laugh. Disharmony succeeds in doing this. Much credit is due to both David Fury, who gives the actors such great funny stuff to work with, and Mercedes McNab, whose performance here is probably the best work she's ever done in the Buffy-verse. While the heated conflict between Cordy and Angel continues here, this is the only thing that is left to tackle from the previous plot-heavy episodes, and this is laid to rest at the end (when Angel buys Cordy new clothes, which puts a smile on both of their faces and, in turn, the viewer's face) and handled well. Otherwise, this ep is just a fun riot with plenty to keep you giggling, many wicked lines of dialogue, and scenes that inject some much-needed self-mocking to the show (such as the scene where the crew are stalking the L.A. streets ready to combat evil, all serious and stern-looking when, hey, all of a sudden there's a beaming Harmony right beside them!). The highlight for me has to be the most memorable karaoke performance yet; Harmony murders 'The Way We Were' and it's nice to see that McNab isn't afraid to look daft (as the Host says to Cordy - 'I think your friend should reconsider the name Harmony.'). On the subject of the brilliant McNab (again!), it has to be said how well she works onscreen with the gang, and Charisma especially. When she's around, the old Cordy comes out to play and it's nice to see that she is still a sassy gal. And the scene where she faces off with Harmony makes we wonder whether we occasionally underestimate what a tough cookie she really is! There's also a double entendre fest when Harmony first enters, Cordy thinking that she's a lesbian rather than a vampire when she starts talking about 'urges'. This fun little farce treats us to a great cameo from Willow, who clears up all the confusion. Really, it is the girls who make this what it is - however, the guys are also funny, increasingly annoyed by Harmony's antics. The plot (concentrating on a vampire pyramid scheme) may be thin but who cares? This is a showcase for the wonderful Harmony (who doesn't die and looks good for a return to the shows, thank God!) and some great comical mickey-take. An unlikely episode - I, for one, never thought Harmony would make it on to the spinoff - but a little gem that'll make you realise that said spinoff hasn't been all that humorous lately...
Verdict - * * * * 1/2

Dead End
Quick summary - Lindsey is given a new hand courtesy of Wolfram & Hart, who are planning on cutting loose either him or Lilah when their re-evaluation of the special projects department approaches. His new body part has a mind of its own, though, and Angel and Lindsey must work together when a particularly disturbing vision of Cordelia's leads them to the place where the transplants stem from...
Best quote - Cordelia; (on her brutal vision of a man stabbing himself in the eye) I wish it would just stop hurting...
Comments - Another fine episode that gives Christian Kane a chance to display his talents (both dramatically and vocally), and gives him a good send off. While Lindsey was becoming a bit annoying, his final scenes show that his irritation was all down to Wolfram & Hart and that he's really a country boy at heart - the big speech he gives to his former employers ('evil hand issues') is brilliant, and one of the funniest scenes the show has ever produced. Here, we see his true colours and he really is happy leaving L.A. behind. Kane and Boreanaz work brilliantly together as always, but their scenes are almost (as the Host mentions) buddy-like, as they are both on the same mission and both realise that the other isn't that bad after all. Still, there's an immature humour to it all that didn't fail to tickle me - Angel's 'Cops Suck' sign at the end is priceless. Gotta say that Lindsey's performance at Caritas is a highlight, even though Angel's put-downs steal from this a bit - who knew a 240-odd year old vamp could bitch so well?! And, as for the evil hand thing, the hand isn't really evil so if you didn't like I Fall To Pieces too much, you can be assured that this is better. Greenwalt's scripts are increasingly clever, sharp and well-structured, while they can also jerk a tear of sympathy for a character - for example, Cordy's vision aftermaths are hard to watch here, as it's obvious that she's suffering through the pain. Speaking of, this subplot is interesting and followed through during the next episodes, while the particular vision in this episode is one of the most gruesome scenes that we've had yet on the show - it's impossible not to flinch while watching! Another interesting development that will hopefully be developed further is Lilah's promotion - I think Stephanie Romanov is a terrific starlet, and she has the ability to show off how talented she is now that Lindsey is no longer there. But how long will Lindsey be gone? I hope we see more of him in the future, and it's entirely possible that we will. Overall, this is a great episode that doesn't have much supernatural goodies on offer but some great characterisation, some cool twists, and all the stuff mentioned above. It may not strike you on first viewing as a keeper but it really is. Super!
Verdict - * * * * 1/2

Belonging
Quick summary - The Host turns to the gang when a monster jumps through a portal situated in Caritas. When a vision points Cordy to the public library, where a young woman named Fred went missing five years ago, another portal opens with a surprise in store for the Host...
Best quote - Cordy; (finding herself in a strange land with two suns after being sucked through the portal) Oh crap!
Comments - While Belonging has much humour and great performances all around, it's not all that memorable. Andy Hallett saves the episode from complete forgettable-ness and makes it all worth it, as a Lorne (we finally find out his name) who is confronted by his past in the shape of his cousin Landok. Since Happy Anniversary, the character has been pushed to the sidelines a little but the first in the Pylea story-arc ensures that he'll be a bigger part of the action. Yippee! Meanwhile, David Boreanaz gets the chance to shine as the new-and-improved lighter comedic Angel - I'd forgotten how well this guy handled comedy! However, not all the characters are as light and breezy as the vamp this week - Cordy is embarrassed and made out to be a fool when her talent is lost on a sleazy commercial director, Wesley's problems with his father (see I've Got You Under My Skin) are resurfaced and his leadership skills take a fall as a side effect, and Gunn loses one of his crew when he fails to show up for a stake-o-rama involving his old crew. While the 'I'm having a hard time' theme is a little heavy-handed, the performances are top-drawer. Full of zesty dialogue and a neat cliffhanger, Belonging is quite good - just not good enough. The Drokken thing is a bit dull and the moment when an out-of-character Charisma smiles at something offscreen shows how the most professional of productions can sometimes slip...
Verdict - * * *

Over The Rainbow
Quick summary - While Cordy is put through a test when she collapses having a vision in front of the townspeople of Pylea (who treat humans as 'cow scum'), the rest of the gang find a way to get to the dimension and are greeted by angry villagers...
Best quote - Cordy; (sitting on a throne, eating grapes, wearing a tiara and a flimsy bikini thing) Hi guys!
Comments - The first episode set in Pylea is a fun frivolous kick-start to what is mostly a fun and frivolous trilogy. While it won't win any awards, it's nice to see the show taking a risk and going with the 'fantasy' genre - the magical land of Lorne's is truly fairytale, creating a nice atmosphere and high hopes for the next two episodes. Cordy does have a bad time but it looks like that's not gonna last if the end's anything to go by (and it is!), a brilliantly timed cliffhanger. We also have our first true glimpse of Fred, played by the totally cute Amy Acker. She does seem a little like an unevil Drusilla (in the way that she's bonkers) but, as the following Pylea stories prove, she's a great new addition. We also have more from light Angel, who gets the chance to walk in the sun, and more wisecracks from the Host. Nice to see that Gunn took the time to grieve over his friend's death, and nice to see that the actress who screamed in the first ever episode of Buffy tackling what is now only a cameo role but could lead to something bigger - I'm talking about Lorne's friend, Aggie, of course. Makeup earns top marks (the humans really don't fit in against a backdrop of green villagers) as do effects, with more big swirly hole-jumping on the menu. We are also reminded that Wolfram & Hart haven't just disappeared, with two new lawyers hounding Angel. All in all, this is a tiny little treat that will make you smile and will entertain you for an hour or so...
Verdict - * * * *

Through The Looking Glass
Quick summary - While Cordy is informed that one of her duties as ruler of Pylea is to mate with the Groosalugg, a handsome champion, Angel laps up the attention paid to him by the Host's family. However, when he finds that they want him to kill Fred, the woman from Cordy's vision, he runs into the hills with her, where he transforms into his Pylea vampire form when they are attacked. While this is going on, Wes and Gunn are taken hostage by rebels planning on storming the palace, while the Host loses his head - literally...
Best quote - Cordelia; (the executioners are awaiting her decision on what to do with Angel, Gunn, Wes and Lorne) Off with their heads! (this causes the guards to raise their swords and the men to scream protests) Kidding!
Comments - Another fun little Pylea story but slightly better than Over The Rainbow, mostly due to some more serious developments and character angst thrown in alongside the comedy. As mentioned previously above, the fairytale-type setting of Pylea opens up plenty of doors and has fun with the genre. Some of the visuals are fantastic (topped off by a wonderfully insane cameo from Joss Whedon as the dancing Numfar), and there's plenty of stuff crammed into this busy little beaver. Charisma Carpenter is fabulous as Royal Highness Cordelia, bringing a dash of longing to the character who used to be a spoilt princess and is getting the chance to relive this. And when Groo enters, she's even more fun, getting some sassy and tickling lines. While the 'brave and undefeated' is a bit too plain of a character (the stereotypical prince charming), it's good to see that the writers have decided to get Cordy together with a man - for the time being, anyway. Meanwhile, we have more from Fred, the adorable Amy Acker playing the character to perfection - you just want to eat this sad lonely figure up, the girl who's been forced to live alone for five years, believing her past life in L.A. was just a dream. And, of course, Angel saves her which leads to him getting all vampy in Pylea - not a good thing! We see the demonic side to him in its purest form and it's not pretty, and the human side to him is scared by it too, frightening him into claiming that he will not return to his friends through shame (because Wes and Gunn were attacked by this nasty). And, of course, if it's shocking loose ends you're looking for, don't miss the ending - they haven't killed off the Host have they?! Because this is the second part of what is essentially a trilogy, there are obviously matters to be put to rest in the finale...and this ep succeeds in keeping you guessing until then. I mean, who knew that those priest guys are connected to Wolfram & Hart in some way? I didn't. What's gonna happen to Wes and Gunn? Don't know yet. Well, why don't you watch, learn, and lap up this damn good fun? Fantabulous!!!
Verdict - * * * *

There's No Place Like Plrtz Glrb
Quick summary - Angel, Wes, Gunn and Fred, joined by rebels intent on storming the palace and overthrowing the priests who rule Pylea, rescue Cordy, who has been busy dealing with the Host's decapitation problem. When all evil is defeated, Cordy hands the job as ruler over to her Groo and the gang (along with Lorne) jump through a portal to Los Angeles. And awaiting them at the hotel is terrible news from a heartbroken Willow...
Best quote - Angel; (uttering the very last words of the season, when a grief-stricken Willow rises up from her seat when he enters the hotel) It's Buffy...
Comments - Although overshadowed somewhat by the extravagant finale of BtVS, TNPLPG is a satisfying conclusion to both the Pylea arc and the second season as a whole. Although it isn't what you'd expect from a typical finale (all guns a blazing, a year's worth of stories coming to an end, etc.), this is a nicely paced and entertaining final hour for the show's second run. All the characters learn their separate lessons - Cordy realises how much she needs her visions after finally being valued and respected by someone, Angel comes to the decision that his vamp self in L.A. isn't as bad as his demonic side in Pylea, Gunn doesn't fail to recognise that the rebels need help if they are to live, and Wes takes charge in what is a successful battle aside from a few fatalities - and head back home. The cameo from Alyson Hannigan is effective while being without words, and opens up a whole new can of worms for Season Three, as does Fred's return to the mortal plane that is Earth. Amy Acker is a confirmed regular for Season Three and it's about time that another female got into the credits - and an attractive and talented one at that, following in the footsteps of one Charisma Carpenter. Cordy really kicks butt and although she has to say goodbye to the one man she's loved in a very long time, I've got the feeling that he'll be back somehow. And her scenes with the Host's head are classic comedy. Speaking of, hope Andy Hallett returns next season (along with a new set perhaps?). Meanwhile, David Greenwalt proves that he can write a good story and also sit comfortably in the director's chair, just as mentor Joss Whedon has done. Although a little less inane fun than Over The Rainbow and (to an extent) Through The Looking Glass, TNPLPG is more action-driven and more thrilling. While not without its flaws, it's not without its merits - a great ending to a consistently good mini-arc. See ya next season!
Verdict - * * * *

SEASON TWO OVERVIEW
This is surely Angel's finest season. After viewing all three seasons to date, this strikes me easily as the most consistent, experimental, and mind-bogglingly exciting. It has depth too, whereas I feel the two seasons surrounding it toyed with deeper meanings but always intended to entertain more than anything else. However, this season sees the scope of Angel's history with Darla brings a wealth of elements to the table, and all the developments here seem more original than some used in the future of the show (such as Darla's pregnancy). It's also where the series got really dark - we were all surprised by Reunion, the turning point that saw Angel abandon his mission and his friends. Exciting heights are reached and it's all very unpredictable, only the writers never lose their poetic touch and always look for parallels, metaphors, and messages in the stories. David Greenwalt, Tim Minear and Mere Smith all deliver great material. The tone of the season, however, is never just one thing - we have the brilliant reintroduction of Darla, the best arc the spinoff has ever created, which is (by turns) tragic, horrific, action-packed, sexy, and disturbing. Mid-season, it all gets a bit overly depressing and this is why I think the radical shift in direction, when it comes to the Pylea episodes, was a great trick.
Characterisation and performances were also astounding. Charisma Carpenter showed she's not just a gorgeous comedic actress but she can also play the tragic dramatic complexities of Cordy. David Boreanaz went from dark Angel, walking a thread between good and evil, to the goofy Angel we witness at the end of the series, while Alexis gets a chance to put Wesley's pratfalls behind him. While J. August Richards is overly underused, he provides some great comic relief and it's great to see him becoming a permanent fixture (Gunn is explored more fully next season). While it's sad to see Christian Kane go, Stephanie Romanov has proved she can perform the 'femme fatale' act adequately, as have Julie and Juliet respectively. Benz is a star, through and through, elevating Darla's scenes with great subtlelty and power. And, of course, I have to mention Andy Hallett - the Host is one of the show's best creations and Hallett is wonderful. However, we lose a lot of great characters this season too - Kate, Holland, etc.
You can probably tell I'm a big big fan of this season. It's got it all - comedy, drama, all the usual ingredients we except from the Buffy/Angel team, only it delivers what we were promised; more blood and shadows. All the behind-the-scenes stuff is all-systems-go with great music from Rob Kral, and a continued great look to the show. The actors produce some of their best work, as do the writers and directors. Don't you dare knock it - just sit back and lap it up...